44 hits   43.33 per million (hits/wds×1,000,000), 40.03/mill in RefCorp for KEYNESS=1.08 in brown_strip.txt [?]

001. part from all other bodybuilders... a criterion of muscle " DRAMA " that is unforgettable to judges and audiences alike.
002. program over a national TV network on which was presented a DRAMA showing, it seemed, a "high yellow gal" smooching with
003. of teaching a person how to be himself, reading fiction and DRAMA may teach him how to be somebody else. Clearly what th
004. prevent catastrophe. That objective set the high stakes and DRAMA of the Vienna meeting. Despite efforts by Washington l
005. e aesthetic meaning of the myth- the translation of antique DRAMA into Shakespearean and romantic guise. This translatio
006. creativity-oriented aspirant for a career in architecture, DRAMA, or journalism, resigns himself to a real estate busin
007. s of the Northwest mountains; the smoke-filled, art-filled, DRAMA -filled life of the great cities of the East; the lush
008. rama itself- and this seems to be lavishly true of Biblical DRAMA - often has hardly any relationship with authenticity a
009. amned. How can we make sense of this division? In classical DRAMA, such problems do not arise. The destiny of Racine's P
010. the involvement of all persons, however humble, in a divine DRAMA. The artist, unlike the philosopher, is not a removed
011. would have been quite circumspect without Hetty's flair for DRAMA, especially through the long summers. In winter, in th
012. theater; and to develop a discriminating audience for good DRAMA and sensitive performance. Dramatic activity at the Co
013. te". Into the texture of this tapestry of history and human DRAMA Henrietta, as every artist delights to do, wove strand
014. ue, that of piecemeal aggression, remains the same. This is DRAMA enough. Do we ourselves offer Mr. Low less of a crusad
015. or a few brief minutes they had all been part of one little DRAMA. The three would never meet again, but for some reason
016. UNDAY EVENING PROGRAM provides theological lectures, music, DRAMA, and films related to the issues of the Judeo-Christia
017. lous scholarship, a fund of personal experience, a sense of DRAMA and characterization and a broad grasp of the era's gr
018. mitive anthropological status offers a more durable sort of DRAMA. By clarifying fundamental premises in the social scie
019. timate. And private tragedy became the chosen ground not of DRAMA, but of the new, unfolding art of the novel. The novel
020. ve been extensive lamentations over the absence of original DRAMA on television, but not for years have many regretted t
021. ed" sense of significance a person may receive from poetry, DRAMA, and fiction. The notion of "inspiration" is somehow c
022. han two decades after that England had no legitimate public DRAMA. In the early days of this controversy over the theate
023. f is an immediate reward of the WBAI experiment; good radio DRAMA has its own special demands that badly need reinvigora
024. f literature, a Jesuit father, at a conference on religious DRAMA near Paris. When Beckett's name came into the discussi
025. assic, between the spirit of Euripides and that of romantic DRAMA. The motif of Faust's love for Helen of Troy goes back
026. sprang the idea of somehow uniting Greek and Shakespearean DRAMA into a new total form, capable of restoring to life th
027. e shadows cast by the personages of Greek and Shakespearean DRAMA lengthen into a greater darkness. And the entirety of
028. t the Cameo Theatre. #@# Make no mistake, this Gorky Studio DRAMA is a respectable import- aptly grave, carefully writte
029. On the narrower ground of poetic form, he felt that in the DRAMA of the future the Greek conception of tragic fate shou
030. took to be an emphasis on the poetry at the expense of the DRAMA, but the response was mainly hostile and quite violent
031. alas, the authenticity seems to stop at the set's edge. The DRAMA itself- and this seems to be lavishly true of Biblical
032. at finished me with Thelma. Trust Eileen to squeeze all the DRAMA out of a situation. And there I was shacked up with Ei
033. cated that even Nogaret, one of the principal actors in the DRAMA, could misinterpret the pope's motives, it is possible
034. hat is only partly non-nonsense", he began. "If you saw the DRAMA called Rhinoceros", I said, "think of the effect it wo
035. on on different occasions. So is the time of the novel. The DRAMA in the theater and the concert in the hall both have a
036. r to you. But I have been at some pains to review it as the DRAMA of the common man, to point up what happened to him un
037. t this sentence as its pertinent summation: "In essence the DRAMA of his (Eisenhower's) Presidency can be described as t
038. ter of all, the chorus. This is the real protagonist of the DRAMA; the conflict is not Boris versus Grigori or Shuiski o
039. the best in the film. #@# True, the pattern and flow of the DRAMA have strong literary qualities that are a bit wearisom
040. the moral quality of renaissance literature, especially the DRAMA. No one suggested that the ethical effects of the art
041. ung actress", she reminisces. "I like his clothes for their DRAMA and simplicity and appreciate the great impact he has
042. sitter, and to do this, the two central characters in this DRAMA must be separated. One way to do this is by "proxy sit
043. are less inhuman than the Nazis and furnish the artist with DRAMA in a lower key. But this argument cannot be pushed ver
044. fore them, is the belief that the main theater of the world DRAMA is the underdeveloped region of Asia, Africa and Latin