36 hits   35.45 per million (hits/wds×1,000,000), 29.65/mill in RefCorp for KEYNESS=1.20 in brown_strip.txt [?]

001. with the killer; Dashiell Hammett's Red Harvest provides a CLASSIC example of this theme. But even when the police are
002. ic through all those hackneyed routines which have become a CLASSIC choreographic statement of the era's nonsense. LaGua
003. ntinually being reinterpreted, and each new production of a CLASSIC has only a brief history at the Comedie. Of course,
004. ssive volume called Mimesis is to describe the shift from a CLASSIC theory of imitation (based upon a recognition of lev
005. tions, the statement stands. The statement also points to a CLASSIC paradox: The more men turn toward God, who is not on
006. ur witnessing a peculiarly fine performance of some ancient CLASSIC, the other part, the guest of the connoisseur, atten
007. rld. The columns of the Parthenon are fluted Doric. Another CLASSIC sight that gave us considerable pleasure was the evz
008. it of this theatrical vine is The, an adaptation of Basho's CLASSIC frog-haiku by Roger Entwhistle, a former University
009. ever stumped an experienced politician. They recall Byron's CLASSIC comment: "I wish he would explain his explanation".
010. occasionally dare to experiment in interpreting a dramatic CLASSIC. In France, novel approaches to the classic French p
011. to a sparkling start. Leningrad's Kirov Ballet, famous for CLASSIC purity of technique, begins its first U.S. tour in N
012. estum, next to the Parthenon the noblest example of Grecian CLASSIC style now in existence. On the eve of his return to
013. of characters like the bomb itself, and civilization in her CLASSIC robe watching the nuclear arms race, her hair standi
014. ent he would have probably denied. Stephens had written his CLASSIC "incidents of travel" about these regions a hundred
015. er". ## A FAVORITE is Norman Norell, however. She likes his CLASSIC chemise. Her favorite cocktail dress is a Norell, a
016. my, or the chain of being, which are everywhere implicit in CLASSIC and Shakespearean tragedy, lose their vitality. They
017. to use the word "mimesis" in its Christian rather than its CLASSIC implications and to discover in the concrete forms o
018. Bundy, was co-author with Henry L. Stimson of the latter's CLASSIC memoir, On Active Service. Another, Arthur M. Schles
019. on were translated into imaginative designs or mythologies. CLASSIC mythology and Christianity are such architectures of
020. ight-handed, Maris only left-handed. They both possess near CLASSIC stances, dug in firmly, arms high, set for fierce sw
021. iple that is becoming increasingly common in the playing of CLASSIC comedy- the idea of turning some obviously ludicrous
022. information over and above the words involved. Some of the CLASSIC indicators, as described by Drs. Pittenger, Hockett,
023. It is only then that the ancient habits of feeling and the CLASSIC orderings of material and psychological experience w
024. lantern of the tallyho ablaze. The southward route was the CLASSIC run in California, and the most fashionable. His pat
025. liberals. This is puzzling to an outsider conscious of the CLASSIC tradition of liberalism, because it is clear that th
026. Sforzt. An unusual, if not extraordinary, rendering of the CLASSIC myth that involves the rescue of Prometheus from the
027. . His hair was black, already greying at the temples in the CLASSIC beauty-idiom, the only one permitted to a man. The p
028. cently as Jack Williamson's "With Folded Hands" (1947), the CLASSIC story of men replaced by their own robots. What make
029. century Spain, this inevitably abbreviated rendering of the CLASSIC satire on chivalry is an affectingly warm and human
030. e is the genius of renaissance Europe restoring to life the CLASSIC tradition. The necromantic change from the palace at
031. ormal celebration of the union between the Germanic and the CLASSIC, between the spirit of Euripides and that of romanti
032. phasis is upon the nature of the state policy at issue. The CLASSIC case is Railroad Commission v. Pullman. The commissi
033. sion, Miss Schwarzkopf is letting herself be tempted by the CLASSIC sin of artistic pride- that subtle vanity that somet
034. ss reason for eliminating a song of merit. Yet there is the CLASSIC case of the Gershwins' "The Man I Love". Deemed too
035. ting a dramatic classic. In France, novel approaches to the CLASSIC French plays are frequently attempted. The governmen
036. cipated. I had come prepared to worship at the feet of this CLASSIC, and he turned out to be a rather bitter old man who