35 hits   34.47 per million (hits/wds×1,000,000), 28.66/mill in RefCorp for KEYNESS=1.20 in brown_strip.txt [?]

001. the antenna beam and a uniformly bright disk for the moon. # ABSTRACT # Experiments were made on an electric arc applying
002. n these two variables, since GNP includes other prices. (We ABSTRACT here from technological progress and assume that pr
003. ppenings of random occasion. Many of the post-World War /2, ABSTRACT expressionists, apostles of the discipline of spont
004. And, he added: "During the many months in prison camp, all ABSTRACT images vanished from my mind". Before leaving for A
005. form of a road worker with a pickaxe who somehow becomes an ABSTRACT symbol of the savage in man. But then, through a st
006. n the most persuasive argument; for this division is but an ABSTRACT representation of the social struggle between mysti
007. But he would fight for his own liberty rather than for any ABSTRACT principle connected with it- such as "cause". For a
008. ain is a process of integration, integration that begins as ABSTRACT design and gradually takes on recognizable form; co
009. g further. The extreme limitations he sensed in all current ABSTRACT art made that seem to him increasingly arid and col
010. inty. An operational approach to sociology can never expect ABSTRACT certainty, since it is certainty which every new di
011. an everything that's being painted these days, from extreme ABSTRACT expressionism to extreme photorealism, and then you
012. llen Figure" of very ominous character, which concluded his ABSTRACT phase. "I knew I was carrying on with abstraction t
013. untains, where he produced some of the most imposing of his ABSTRACT canvases. The darkening world scene, at the time of
014. male dancers to an electronic score by Alwin Nikolais. Its ABSTRACT decor is by John Hultberg. Program note reads as fo
015. orpses everywhere". In haste he labored to finish some last ABSTRACT paintings: a three-panel frieze, with a flying figu
016. lato to Schelling and William Godwin, through which so many ABSTRACT ideas were brought to the attention of English men
017. continues, but most of New York's knowing sophisticates of ABSTRACT Expressionism are stamping their feet impatiently i
018. French, with justice, call "hermetic") was on the verge of ABSTRACT art. It was then that Picasso and Braque were confr
019. the Cultural Exchange Program would be the re-emergence of ABSTRACT Art in Russia, with Social Realism regaining domina
020. experience in terms of vivid images rather than in terms of ABSTRACT ideas or conventional designations. By "image" is m
021. i-Semites; but he believed in the Jew-as-enemy in a kind of ABSTRACT, theological way, like a member of a cult speculati
022. turn path to the fullness of nature within the framework of ABSTRACT art". It is notable that at this time he was writin
023. y tends to be strong, lively, intense, controlled and quite ABSTRACT. In France, it remained always more picturesque, mo
024. ended to reflect reality (see Plate 6 a, 9 b); a schematic, ABSTRACT treatment of men and animals, by intent, rose only
025. from journalism to become one of the capital's leading semi- ABSTRACT painters, vows that he and Kennedy never once discu
026. admiration of Cimabue's and Poussin's way of filling space. ABSTRACT art was still the right path for him; but, he held,
027. ed his new figurative pictures to his artist friends of the ABSTRACT camp, they paid him no compliments and drew long fa
028. eone is using words and brushes carelessly. At its best the ABSTRACT expressionists achieve a simple rococo decorative s
029. is fidelity to the experience, a gauge also accepted by the ABSTRACT expressionist painters. An earlier but still influe
030. ould discussion of divestiture or disenfranchisement in the ABSTRACT. The Court adopted this procedure with an appropria
031. n pressures for higher wages. Part /1, below describes this ABSTRACT model by spelling out its assumptions. Part /2, dis
032. d wage increases to offset cost-of-living increases, but we ABSTRACT from these forces here. For our present purposes we
033. re is itself a function of the wage rate. In this model, we ABSTRACT from all non-wage sources of cost changes, so that
034. e to deny the artistic validity and importance of the whole ABSTRACT movement. And it is thought by many who think about
035. t or public for very long. So, in the last couple of years, ABSTRACT expressionism has tended toward romantic suggestion